What a wonderful contrast is made by Charles Harpur’s “A Mid-Summer Noon in the Australian Forest” (1851) and Henry Kendall’s “Bell-Birds” (1869).
Kendall as a protegé of Harpur invested his picture of the Australian forest – “Bell Birds“- with meaning and magic, but his purpose was entirely opposite to that of his master (Harpur). This is the subject that I want our 2016 crop of Oz Lit students to explore in our next Blog Topic which could be simplified into:
Looking at these two poems describing a natural scene (“A Mid-Summer Noon…” & “Bell-Birds”, say what you think each poet values and how they differ in their appreciation and their expression.
Enjoy the process!!
MG