What an amazing morning and early afternoon was had by us all today, starting in the Print Room in the NSW Art Gallery where we saw the actual, original prints from William Blake’s The Book of Job series. In this transformation Blake tells Job’s story in order to show how religion needs to move away from theological formulations and moralistic judgmentalism to an open-hearted acceptance of the immense mystery and wonder of creation and towards an inner experience of the sacred
This series embodied much of Blake’s quest to “cleanse the doors of perception” as he dramatizes Job’s journey, surrounded with texts from the Old Testament, the New Testament and from The Book of Job itself. We then walked to 2 Raper Street, the Brett Whiteley Studio. To travel through Whiteley’s transformative imagination, through the birth canal that produced that shock of ginger hair, on down the eye beam that absorbed Blake’s grain of sand, out into the universe of stars and then across the horror’s of the world stage during the Vietnam war period and on through the amazing bird-filled grass lands of the Australian bush crowned both with an actual human brain and a lyre-bird singing 16 songs simultaneously, and when you put your eye onto the lyre-bird’s eye you see your own eye staring back at you
and then on to the ritual suicide of the Japanese writer who committed ritual suicide (seppuku) having decided the gap between art and action could only be closed in this way….
Debra in the print room NSW Art Gallery + MG on Blake’s Job:
Blog Questions for this week:
You may also do the following: say, in word (critical or creative) in image (critical or creative), in video (critical or creative) what inspired you MOST today from all the myriad of impressions you received at either the Brett Whiteley Studio or the Prints and Drawing Room where the NSW Art Gallery had so brilliantly set up for us the whole collection of Blake’s Job series.
Introduction to the Brett Whiteley Studio:
Inside the Brett Whiteley Studiio